A letter a day to number 10. No 1,537
Monday 29 August 2016.
Dear Mrs May,
It is a sad fact that so many are misled by the idea that their disability or sickness has any relevance in the Work Capability Assessments (WCA). As the DWP recently pointed out to The Oxford Times, “decisions were not based on the condition of claimants, but on what they can do.”
People think they are going for a WCA to have their ‘condition(s)’ assessed by medics employed by the DWP at vast public expense. In reality they are being assessed on whether they are capable of doing something, anything, no matter how tenuous that might be. The fact that they might be dying or that every moment of their life is lived in a torment of pain or their every waking thought is suicidal, is irrelevant.
When I was called in for a WCA I was refused a home visit on the grounds that my doctor had informed the test centre that I was able to get to hospital for cancer treatment. As someone who suffers from acute social phobia that was so Orwellian that I felt positively ‘normal’ in having such difficulties in going out. If that is what passes for rationality the human race is clearly doomed. It’s an admission that we are living in the age of stupid and there doesn’t seem to be any hope of recovery.
When Iain Duncan Smith invoked the words written over the gates of Auschwitz, ‘arbeit macht frei’ (work makes you free), he wasn’t kidding around, he even appeared on BBC Breakfast television saying, “Look, work actually helps free people.” The liberation granted people in the death camps of Germany is not something that any sane person would hold up as a working model for the Department for Work and Pensions.
People need to understand that when they attend a Work Capability Assessment they enter a twisted Tory dystopian environment based on the principles of fascism. It comes as no surprise that a WCA whistle blower said, “Almost every day one of my clients mentioned feelings of suicide to me,” or that the DWP has issued written suicide guidance to frontline staff, apparently printed on laminated pink card.
Ken Loach’s film, ‘I, Daniel Blake’, on the failings (or success from a government perspective) of the UK’s benefit system, apparently reduced film critics in Cannes to tears and led friend and fellow activist Charlotte Hughes to write, “Ken Loach’s I, Daniel Blake needs to inspire us all to act against the political and moral debasement of the Tory government.” Britain’s dirty little secret is that Tory welfare reforms saw the launch of a penal system of brutal cruelty denying people the means of survival.
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